Good Messaging Is Worth 1,000 Pictures

Thinkshift recently completed messaging work for several clients, which got me thinking about what good messaging is all about.

Good messaging is credible and exact. It handles the communications task at hand, whether it’s a pithy quote from the CEO in a press release, a boilerplate description of the company, or the brand voice and framework for a report, presentation or website. A messaging document should provide messages that are as close to plug-and-play as possible, with examples for as many contexts as makes sense.

Good messaging gets used. Reporters use it when writing about the company. Partner organizations use it when they describe you on their website. Employees use it, not just in presentations and formal communications, but also on their LinkedIn and Facebook pages and when they talk about their work with friends. For one client, the test came with the release of significant company news requiring media outreach and a new partnership. It was extremely gratifying to see the messaging work take hold and appear in newspaper articles, customer blog posts and on the partner website. Meanwhile, employees used it on their LinkedIn pages and elsewhere.

This doesn’t just happen naturally. We don’t just create messages, toss the client a guide and expect them to get it right away. Introducing the messaging, explaining how to use it and when, showing examples and providing training for written and spoken use are key.

Good messaging is flexible. Messaging should be used consistently, but shouldn’t be rigid. It should grow and change with the organization, and be adaptable to the person using it, the communications vehicle, audience or a other factors.

The key test—and I find this especially satisfying—is whether people genuinely like the messages. They won’t unless the messages are written in natural, ordinary language, so that people are comfortable using them without rewriting. When that happens, employees and others become advocates. They are able to provide the right message and information succinctly.

And that kind of communication brings an organization to life. You can’t do that with jargon, corporatespeak or vague and imprecise phrases.

What You Say, What They Hear

Most organizations have an internal language—a patois of professional jargon, insider concepts, and in-house categories. And it should stay internal. Alas, too many broadcast their group-speak to an uncomprehending public through websites and collateral materials that attempt to persuade but often baffle.

It reminds us of a famous Far Side cartoon in which a man is earnestly lecturing his dog, who hears only “Blah blah Ginger, blah blah blah….” When your org chart defines your website’s architecture, when you use terminology that’s not widely recognized outside your organization, when you describe your products or services from your perspective rather than your target market’s perspective, your audience is likely to hear only “blah, blah, blah.”

Internal language seeps into external communications so often because it’s difficult to catch yourself using it. Few of us can switch automatically from insider to outsider language—it takes conscious effort. But it’s worth it: People usually won’t tell you they don’t understand your terminology, they’ll just make assumptions. If they don’t find information in the expected place on your website, they’ll assume it’s not there. If a word has a common meaning that differs from a particular meaning within your organization, they’ll assume the common meaning.

So make sure your message doesn’t get lost in translation: speak your audience’s language.

First published in the February 2008 issue of Words That Work.

Write for an Attention-Deficit Age

We could spend all day disproving the notion that nobody reads anymore, but it is true that in our multitasking, information-overload world, it’s harder to attract and hold a business audience than it once was. Here are a few tips to grab attention in an attention-deficit age:

Break the mold. Examine how similar organizations communicate, and do something different. Find an unusual angle. Be warmer or more analytical, more casual or more sophisticated—whatever everyone else is not. And ditch the jargon—buzzwords are a way to fit in, not to stand out.

Strike an emotional chord. Focus on what moves, excites, inspires, or alarms. What will get the strongest gut response? Not sure? Think about how you’d talk about it with an attractive stranger at a party.

Just say it. Bland, heavily qualified statements may head off controversy, but they also induce narcolepsy. Say what you mean, clearly and assertively, and support it. People will take notice. And if they take exception? That’s an opportunity for dialogue.

Be relevant. If your content isn’t of interest to your audience, you’ll lose them. Provide information readers want and you’ll keep them with you.

Use snappy display copy. If the most eye-catching copy on the page is dull, why would anyone read the small print? Strong display copy grabs readers; treating it as an afterthought is a mistake.

Underlying these strategies is a key principle: be compelling. And “compelling” means compelling to your audience, not necessarily to you or your organization. Cater to your readers’ interests and you’ll get their attention. First published in the March 2008 issue of Words That Work.